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Artists Statement

As a sculptural artist, my work explores the complex and evolving relationship between humanity and technology. I am captivated by how technology influences our lives, from our attention spans to our sense of connection. Using clay as my primary medium, I create immersive, interactive works that invite viewers to engage physically and emotionally. Unlike traditional two-dimensional art, my sculptures encourage exploration from every angle, fostering a more dynamic and participatory experience.

My passion for clay began in childhood, where experimenting with playdough sparked a fascination with form and creativity. This curiosity drove me to push boundaries, from winning first prize at the Tullamore Show to developing intricate, contemporary works that address pressing societal issues. My recent projects focus on the “doom scrolling epidemic” and the ways our fast-paced, tech-driven lives have diminished our ability to engage meaningfully with ourselves and the world.

In addition to clay, I work with pencil to create pieces rich in detail and nuance. My love for pencil emerged during my Leaving Cert years, culminating in a Special Merit Award at the Texaco Art Competition and the opportunity to have my work displayed at Drogheda's Art Gallery. Now, in my final year at LSAD, I merge these mediums to examine the movement of the human body and its relationship to technology, using art to hold a mirror to the habits and patterns of contemporary life.

At the heart of my practice is a desire to provoke critical thinking and reflection. By addressing issues like technology’s grip on our attention, I aim to inspire viewers especially younger audiences to question their relationship with digital media and reconnect with themselves and others. Through my art, I hope to create a bridge between awareness and action, encouraging a more thoughtful, intentional approach to modern living.

Pencil Work

​This series of colored pencil drawings illustrates the evolution of combat, from medieval knights and gladiators to modern MMA fighters. Each piece highlights the unique forms and intensity of combat across different eras, showcasing the progression of technique, skill, and culture. The collection captures the energy and spirit of these moments, emphasizing the enduring human fascination with combat and competition. These works formed a key part of my portfolio for admission to LSAD, reflecting my interest in dynamic subjects and storytelling through art.

Ceramics

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This collection of clay sculptures reflects my passion for both film and surrealism, blending imaginative concepts with meticulous craftsmanship. Drawing inspiration from iconic movies, I sculpted a Transformer, the Demogorgon from Stranger Things, and the Predator, paying homage to the characters that have captivated me. My love for surrealism, influenced by Salvador Dalí, shines through in other pieces, such as a spider-crab hybrid, a coral-like figure, and a crab that wears a piano as its shell. I also explored bold, abstract ideas, like a head fused with a chainsaw. Working with clay allowed me to bring these visions to life, combining my interests in storytelling, surrealism, and tactile creation. These pieces represent my dedication to pushing creative boundaries.

Sketchpad Work

My sketchpad series explores the impact of technology on our lives, using symbolic illustrations to advocate for a break from digital addiction. Through sketches, I depict themes of entanglement and control—human veins morph into wires plugged into a gaming controller, while mechanical creatures sweep us off our feet, keeping us addicted and oblivious. Other sketches include a TV sucking a person into its screen and a sticky flytrap ensnaring people, symbolizing how video games can consume our youth. These pieces aim to provoke thought about our reliance on technology and its effects on personal freedom and connection. Through these works, I seek to highlight the need for mindfulness and balance in this digital age.

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